Album Review: Rabbit Island - Deep In The Big

14 August 2018 | 1:39 pm | Christopher H James

"Fresh has a pure approach to writing music, shunning verse-chorus, verse-chorus conventions and instead embracing free flowing forms that capture fleeting moods."

Hal David and Burt Bacharach once wrote that "what the world needs now is love, sweet love". Maybe they're right, but surely a large dose of Rabbit Island would run a close second.

Perthling Amber Fresh finally follows up 2011's O God, Come Quick with another group effort. Nicholas Allbrook (Pond) plays a large part in adding guitar and vocals, while Tristen Parr (Schvendes), Benjamin Witt and Peter Bibby all drop in.

Fresh has a pure approach to writing music, shunning verse-chorus, verse-chorus conventions and instead embracing free flowing forms that capture fleeting moods. Boxing Day opens the album like a statement of intent as rippling piano lines that cut straight through to the heart of the song. Deep In The Big has a much fuller, richer sound compared to her debut and it's all the better for it. Fresh's voice too has strengthened and developed just a touch of Hope Sandoval's ability to effortlessly convey a gut-load of emotion with only a few soft notes; an intimate coo that almost sounds like a reassuring friend just off your shoulder offering the gift of harmonic wellness. The overall effect is calming, healing and ultimately inspirational.