Diary Of A Teenage Girl

Based on the 2002 graphic novel The Diary of A Teenage Girl: An Account In Words And Pictures by Phoebe Glockener, the film presents a remarkably frank depiction of a young woman’s sexual awakening. Set in San Francisco during the ‘70s, this semi-autobiographical story often veers into  controversial territory (such as statutory rape, prostitution, drug use) dealing with issues in an open and honest way. 

At 15 Minnie Goetze (Bel Powley) is beginning to experience a sexual awakening. In the bohemian San Francisco of 1976, Minnie tries to come to grips with these changes in her life, and channel them into her comic art. Unfortunately, her inexperience, lack of self confidence and romanticism often lead her to make poor choices - such as losing her virginity to her mum’s boyfriend (Alexander Skarsgard). As she grows she starts to become more aware of her own desires, responsibilities, and the power that she has.

It is confronting to accept the initial premise of this film, that a teenage girl could be so aware of her sexuality and in control of it. To be fair Minnie is initially not entirely either aware or in control, but she is learning very quickly. That is the heart of Diary Of A Teenage Girl, not that the character will always make the right choices, nor that we the audience should blindly accept what is happening to her, but that it is Minnie’s journey of discovery. Strangely we have to be less judgemental and protective as a viewer and just trust the character (and by extension the author) has learned from experience - not always an easy thing to do, as the combination of the witty writing and Bel Powley’s charisma engage us instantly with Minnie, and we quickly want the best for her.

Powley’s portrayal is one of great complexity. Having stolen the show earlier this year in A Royal Night Out as Princess Margaret, it is good to see her take a bite out of a more nuanced and multilevel character. Minnie is often many contradictory things at once. She has a naivety, but enough intelligence to learn quickly. She is a pawn, but recognises her power. She is full of self doubt, but exudes confidence. She is unsure of what she wants, but knows she has desires. Powley brings all of this perfectly to the screen. 

Director Marielle Heller walks the fine line between a celebration of sexuality and exploitation, ultimately leaving it to Minne’s growing self empowerment to make the difference. It is that rich insight, likeable (albeit flawed) characters, and whimsical use of animation (referencing the stories origin) that make this compulsive viewing. An amazing coming of age story, that really does lead to the genuine empowerment of its central character.

Originally published in X-Press Magazine